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Green Day - 1,039/Smoothed Out Slappy Hours [LIMITED EDITION] (LP)

1,039/Smoothed Out Slappy Hours [LIMITED EDITION]
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4.9 out of 5.0 stars 33 Ratings (30 Reviews)

Album Details: 1,039/Smoothed Out Slappy Hours [LIMITED EDITION]

Release Date:02/17/2004
Label:Lookout Records
UPC:763361930019

Other Available Formats: 1,039/Smoothed Out Slappy Hours [LIMITED EDITION]

User Reviews: 1,039/Smoothed Out Slappy Hours [LIMITED EDITION]

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    One of my fav GD cds!!

    By liamyrox  Aug 24, 2005 | 1 out of 1 found this 1,039/Smoothed Out Slappy Hours [LIMITED EDITION] review helpful

    Pros: it came out b4 they hit it big so it has a sort of garage band sound to it (which is good)

    Cons: some of the songs are sort of the same

    I really loved this cd, and a lot of the songs on it. Along with dookie and american idiot this is definatly one of my favorite green day cds!! I especially like sort of raw sound to it, a definate must have for any green day/ punk rock fan!

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    Great effort

    By razzle182003  Jun 18, 2003 | 1 out of 1 found this 1,039/Smoothed Out Slappy Hours [LIMITED EDITION] review helpful

    Green Day had a cheap recording budget with this album but even with acheap recording budget they are still extremely good.

Pro Reviews: 1,039/Smoothed Out Slappy Hours [LIMITED EDITION]

  • All Music Guide

    When Green Day's first album appeared, anyone predicting that fame, MTV, top selling albums, and more would be on the horizon in the near future would have been happily patted on the head and then sent to the insane asylum. It helps to remember that Nirvana's breakthrough was still a year away, for one thing, and, for another, 1,039/Smooth isn't a truly great album in the first place. It's not bad, by any means, and quite arguably just about everything on it could be transposed with a slight aural tweak here and there to Dookie or Insomniac without anyone batting an eye. It's just little more than a fun punk/pop album with some entertaining metallic flash here and there, one of many such records that the late '80s and early '90s produced in the indie rock world. After a great start with "At the Library," it's quickly clear that the rest of the record is going to continue in the same vein. What's fun is realizing how much the band already had to work with, pursuing obvious love of three...-chord forebears like the Dickies and the Ramones to energetic if not revelatory ends. Billie Joe Armstrong's balance of disaffection and nervous, goofy passion is well in place, while he's already showing his effective, no frills approach to chewy feedback melody. Songs like "I Was There" and "Road to Acceptance," not to mention the implicitly weed-celebrating "Green Day" itself, are great calling cards for later break outs on both levels. Mike Dirnt's no slouch himself, providing good backing vocals when needed for harmony, but oddly enough the most prominent performance throughout comes from original drummer John Kiftmeyer, who wouldn't last through to the next album. Call it a quirk of recording, but there it is. - Ned Raggett, All Music Guide Read more Less

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Biography

Green Day

Out of all the post-Nirvana American alternative bands to break into the pop mainstream, Green Day was second only to Pearl Jam in terms of influence. At their core, Green Day were simply punk revivalists, recharging the energy of speedy, catchy three-chord punk-pop songs. Though their music wasn't particularly innovative, they brought the sound of late-'70s punk to a n... Read more